My references sit at the intersection of UK bass culture and the Global South — the breakbeat lineage of jungle and drum & bass, the swing of boom bap, the grit of electro — reassembled with samples pulled from Brazilian and Latin American records.

The result is rhythmic, sample-driven, and unapologetically experimental: familiar melodies chopped and recontextualized inside fast, broken drum patterns, carrying social and cultural weight alongside the groove.